Sat. 29 Oct. 2016 - Sat. 12 Nov. 2016
14:00-19:00 (Close:Mon. and Thu.)
In my 2014 exhibition “Weaving Dreams”, I portrayed dreams as a drifting illusion. In my 2015 show “Hidden in Slumber”, I visualized dreams by creating a collage of related fragments and images found in our everyday lives.
In this 2016 exhibition “A Room of Her Own”, I took inspiration from a 2015 drawing to create a more detailed image of femininity from the perspective of beauty and brevity.
By sharing her room – one that is intimate, restrictive, and invisible – in an open form, I attempted to transform a sacred chamber into an entirely new universe.
Through the interaction between the desires of “me” and “others”, one can experience a sense of connection, warmth, intensity and longing.
I chose cage crinolines because of the different meanings hidden in their ornamental silhouette, which can be viewed as an exaggerated form of physical beauty. In the mid-19th century, women wearing crinolines could keep men at a certain distance, making themselves unapproachable. In this sense, crinolines embodied a form of protection. On one hand, the bell-shaped skirt is symbolic of female oppression, but on the other, it (perhaps paradoxically) represents liberation. Conflicting values of virtue and promiscuity coexist. The exaggerated, artificial, glamorous garment is a symbol of ultimate femininity. Here, femininity refers to submissiveness, virtue, chastity, delicacy, vulnerability, sensuality, and fertility.
I recreated this inconvenient, yet mesmerizing object, fascinated by its image as a beautiful shackle. In a sense, the willingness to sacrifice comfort for beauty has many parallels with today’s women.
The secretive power and desire concealed in the crinoline reveals itself in the wearer’s dignity.
I hope each viewer comes away with their own interpretation of this enigmatic object.
한정림(JUNGLIM HAN) http://blog.naver.com/snazzynails | |
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2003 | M.F.A. Tokyo University of Arts, Design, Tokyo, Japan |
1997 | B.F.A. Seoul National University, Sculpture, Seoul, Korea |
Solo shows | |
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2015 | Hidden in slumber, Space Willing n Dealing |
2014 | Weaving Dreams, Space O' Newwall |
2013 | Banjul Schale <The resonance of reminiscence>, Space Banjul |
2012 | Mi,Me, Space B-E |
2008 | Transcendent Saturation: On Passage, Void Gallery |
2008 | Transcendent Saturation: Reminiscence Evaporated, Lost Room |
2005 | On Passage, Small Space One |
Selected Group shows | |
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2014 | All about materials, Yoonhyun handmade store |
2013 | Atmosphere, Space B-E |
2013 | Pangaea2_continental Drift, Japan cultural centre, Melbourne, Australia |
2012 | Creative basket, Simone handbag museum, bagstage |
2012 | Swarovski SS launching show, Seoul convention center |
2011 | Bad Romanticism, Arko art center |
2011 | Habitat, Space B-E |
2010 | Memory scape, Arko art center |
2010 | 10 colors 10 designers of Seoul, Dongdaemun history&culture park design gallery |
2009 | Breathing in&out, gallery Factory |
Awards | |
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2003 | The Curatorial Prize(Fumio Nanjo), The Fourth Spiral Independent Creators Festival, Tokyo, Japan |
Public art | |
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2014 | SongDo Green Culture Festival 2014, Stellar tree, Songdo haedoji park |
2013 | ARKO Public art project: 'A Walk For Differences', Gyeryong city, ChungchungNam Prefecture |
2009 | Public art project Sabuk-Gohan, Gangwon Prefecture |