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Ikegami is practicing the act of freely filling the inside of a limited support body called an embroidery frame. Originally, the base material of a painting should be free, but there was a period in history when the norm of 'the system of painting' worked and liberation from the constraint was considered a problem. Embroidery frames also contain an inherent spell associated with women's handiwork, but Ikegami easily overcomes this and develops its own expression while relativizing institutions and gendered norms.
(This text was translated by Mirai Translate traial.)